January 3, 2022 / Rating: 4.7 / Views: 757 Related Images "Sony catalyst browse stabilizer" (27 pics):
Catalyst Browse - Sony Creative Software
A powerful clip-management tool for the latest Sony cameras and decks. Catalyst Browse works as your media assistant and lets you browse files from your Sony camera, deck, or card reader. With detailed views of individual clips, you can see and edit media metadata, accurately view video in the proper source color space, and apply color correction and color looks.
With strong family support, you can accomplish amazing things. The Catalyst family provides powerful media prep and focused, fast editing that you can rely on to translate the vision in your head to an experience that moves your viewers. Take a detailed look at the Catalyst Production Suite workflow (PDF). In Catalyst Edit, turn your beautiful footage into a polished, finished product. To save time, access your Catalyst Prepare libraries directly and import existing storyboards to cut your project together quickly and creatively. The focused toolset gives you quick access to all the essential cutting tools as well as effects, titling, and other tools to bring your production from imagination to screen. You use your computer to make great videos, and you run whatever operating system it takes to get the job done. You need powerful editing capabilities whether you run Mac OS X or Windows, and if you use one platform at the studio and the other at the home office, you probably need to work on your projects on both systems. That’s why Catalyst Prepare and Catalyst Edit look, feel, and function exactly the same on both platforms.Catalyst Browse works as your media assistant and lets you browse files from your Sony camera, deck, or card reader. With detailed views of individual clips, you can see and edit media metadata, accurately view video in the proper source color space, and apply color correction and color looks. Once you've selected the clips you need, you can copy them to a local hard drive or connected NAS, upload to Ci, the video cloud service by Sony, transcode to a variety of formats, as well as create, ingest, and export Sony Professional Disc clip lists. The Places pane provides quick access to your internal and external drives, and any connected devices such as cameras, decks, or card readers. Drag and drop files between connected devices and internal or external storage. Copy all clips on the media, a subset, or only the desired portion of a clip to save time and space. The “Use fast device-to-device copy” option lets you copy clips directly between an XDCAM device and another device via FTP to save even more time. View the full color range of your Sony S-Log, X-OCN, and RAW files for total confidence. Apply color correction and import/export standard ASC-CDL files to save time and share with other tools in your workflow. Transcode clips to a variety of video production formats. Upload clips directly to Ci, the video cloud service by Sony, with your account or a contributor code for collaborative team review.The PXW-Z90 offers broadcast-quality 4K with advanced features such as high-speed auto focus, Instant HDR workflow, up to 960fps*/1000fps** super-slow motion, and streaming via Wi-Fi. Simple Live Streaming to major online services—free upgrade available now. The PXW-Z90 is palm-sized and ultra-lightweight for shooting in any situation, and its advanced Fast Hybrid AF system is designed to provide pin-sharp image quality at all times with complete creative control. The PXW-Z90 is the first professional palm-sized camcorder to deliver stunning 4K High Dynamic Range (HDR) content with Hybrid Log-Gamma (HLG) file-based workflows. S-Log3 is also supported, enabling you to create beautiful imagery with a wide color gamut and color range. Live streaming instantly connects you with your audience, wherever you are. From weddings and live events to interviews and seminars—capture high-quality images and share them in real time on major online video platforms. Set up your own streaming channel with your smartphone or tablet, connect via Wi-Fi—and you’re ready to go. To deliver imaging performance previously impossible for a compact camcorder, a large 14.2-megapixel (effective) 1.0-type stacked CMOS image sensor delivers beautiful background bokeh defocus effects and superior sensitivity for capturing high-quality images with less noise, even under dark or bright conditions. This sensor integrates up to 273 phase-detection AF points that densely cover approx. 84% of the image area, for precise tracking of subjects throughout the shooting frame. The sensor gives you low noise and less blur, because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux.* Enhanced Fast Hybrid auto focus (AF) is comprised of a number of features: Phase-detection AF with up to 273 reference points covering approximately 84% of the image area, face detection and lock-on auto focus technology to estimate subject movement. They all work together seamlessly to capture fast-moving subjects with amazing sharpness. AF Drive Speed means you set the speed at which focus switches—rapid for a sports event and slow for a drama production. AF Track Depth allows you to choose a Wide depth of field when a subject is fast moving, while Narrow fine tunes performance for a subject at a consistent distance. AF Switching Sensitivity lets you lock tight to a single subject or fluidly switch focus—such as when shooting a line of runners. Shoot, edit, and view HDR content in HLG without the need for additional color grading. As the expanding need for HDR content continues, Internet video platforms and professionals producing corporate or event content are paying more attention to the added value of HDR. They need to deliver content quickly, without compromising on imaging expression and quality of content. To meet this demand, the PXW-Z90 offers Hybrid Log-Gamma (HLG) recording, in addition to S-Log3, for easy file-based workflows, while achieving the image quality of HDR. This simple workflow enables the shooting, editing, and viewing of HDR content in HLG, without devoting a lot of time to post-production work and additional color grading. The PXW-Z90 allows you to record a wide range of 4K (QFHD) and HD formats for maximum flexibility from this stunning palm-sized camcorder. The Z90 supports XAVC QFHD 100-Mbps recordings at 30p/25p/24p, XAVC HD Long GOP 422 50 Mbps, MPEGHD422 50 Mbps,* MPEGHD420 35 Mbps, and AVCHD. The PXW-Z90 is supplied with a fixed 29-mm wide-angle ZEISS Vario-Sonnar T lens, ideal for capturing panoramic landscapes. The 12x optical zoom can be increased to 18x with Clear Image Zoom, maintaining QFHD resolution using Super Resolution Technology or 24x in HD. In addition, the digital extender can double this range again, up to 48x zoom. The camcorder’s lens ring enables smooth, natural adjustment of focusing or zooming, depending on which mode is selected, while the manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), ISO/GAIN, and shutter speed. You have superb monitoring options with the Z90, an enhanced 0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot LCD. The super-high-resolution OLED viewfinder offers excellent quality brightness, contrast, and response, giving you better precision of manual focus operations and eliminating any color-breaking phenomenon. The LCD gives you further flexible composition options. Robust XLR inputs on the removable handle support professional-standard stereo audio recording. Switchable phantom power supports mics that need it, while independent channel input dials provide precision control. The PXW-Z90 has a featured remote interface (2.5-mm stereo mini-mini jack) wired interface. Using a wired remote controller such as the RM-1BP or RM-30BP, the focus, zoom, rec start/stop, and rec review can be controlled remotely. To extend recording time and workflow flexibility, the PXW-Z90 is equipped with two memory-card slots and is compatible with SDXC and SDHC cards as well as Memory Stick PRO Duo (Mark 2) / PRO-HG Duo.* Relay mode automatically switches recording from the first to the second memory card when the first is full; Simul mode allows simultaneous recording to two memory cards (for example, to create an immediate back-up version). The PXW-Z90’s two start/stop buttons on the handle grip and camcorder body can independently start and stop recording on different memory cards while recording in Simul mode. The PXW-Z90 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (sold separately). Please note that to use the MI Shoe, the XLR handle must be removed. The PXW-Z90 offers numerous connections to suit the broadcast workflow, including 3G HD-SDI, HDMI®, Multi/Micro USB jack, and composite output. The Rec Trigger signal can be sent through SDI and HDMI to link an external recording device. HDMI/SDI/composite output is possible during QFHD recording.* When shooting with multiple camcorders, you can synchronize the timecode of each camcorder using Content Browser Mobile™ (CBM) smartphone application* with optional CBKZ-WTCL upgrade. 1390g (with lens hood, handle, eyecup, NP-FV70A battery)Approx. With this feature, all camcorders can synchronize to the primary camcorder you select or to a manually set time—whichever you prefer. 3lb 1oz (with lens hood, handle, eyecup, NP-FV70A battery)121.0mm×104.0mm×274.5mm (With the accessories (lens hood, large eyecup) ,excluding the grip belt and including the projecting parts)4 7/8 x 4 1/8 x 10 7/8 inches (With the accessories (lens hood, large eyecup) ,excluding the grip belt and including the projecting parts)130.0 x 181.5 x 287.0 mm (With the accessories (lens hood, large eyecup, XLR handle unit) , excluding the grip belt and including the projecting parts)5 1/8 x 7 1/4 x 11 3/8 inches (With the accessories (lens hood, large eyecup, XLR handle unit) , excluding the grip belt and including the projecting parts)XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile XAVC Proxy : MPEG-4 AVC/H.264 4:2:0 Long profile MPEG HD422 (CBKZ-SLMP required) : MPEG-2 [email protected] 4:2:2 Long profile MPEG HD420 (CBKZ-SLMP required) : MPEG-2 [email protected] 4:2:0 Long profile MPEG HD Proxy (CBKZ-SLMP required) : MPEG-4 AVC/H.264 4:2:0 Long profile AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible XAVC QFHD : Linear PCM 2ch, 24bit, 48k Hz XAVC HD : Linear PCM 2ch, 24bit, 48k Hz XAVC Proxy : AAC-LC 2ch、16bit、48k Hz MPEG HD422 (CBKZ-SLMP required) : Linear PCM 2ch, 24bit, 48k Hz MPEG HD420 (CBKZ-SLMP required) : Linear PCM 2ch, 16bit, 48k Hz MPEG HD Proxy (CBKZ-SLMP required) : AAC-LC 2ch、16bit、48k Hz AVCHD : Linear PCM 2ch, 16bit, 48k Hz / Dolby Digital 2ch, 16bit, 48k Hz XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps XAVC HD (1920 x 1080) @59.94p, 50p, 29.97p, 25p, 23.98p, 50Mbps/35Mbps XAVC HD (1920 x 1080) @59.94i, 50i, 50Mbps/35Mbps/25Mbps XAVC HD (1280 x 720) @59.94p, 50p, 50Mbps XAVC Proxy (1280 x 720) @59.94p, 50p, 29.97p, 25p, 23.98p, 9Mbps XAVC Proxy (640 x 360) @59.94p, 50p, 29.97p, 25p, 23.98p, 3Mbps MPEG HD422 (1920 x 1080) (CBKZ-SLMP required) @59.94i, 50i, 29.97p, 25p, 23.98p, 50Mbps MPEG HD422 (1280 x 720) (CBKZ-SLMP required) @59.94p, 50p, 50Mbps MPEG HD420 (1920 x 1080) @59.94i, 50i, 29.97p, 25p, 23.98p, HQ mode(35Mbps)MPEG HD420 (1440 x 1080) (CBKZ-SLMP required) @59.94i, 50i, HQ mode(35Mbps)MPEG HD420 (1280 x 720) (CBKZ-SLMP required) @59.94p, 50p, HQ mode(35Mbps)MPEG HD Proxy (1280 x 720) (CBKZ-SLMP required) @59.94p, 50p, 29.97p, 25p, 23.98p, 9Mbps MPEG HD Proxy (640 x 360) (CBKZ-SLMP required) @59.94p, 50p, 29.97p, 25p, 23.98p 3Mbps AVCHD (1920 x 1080)@59.94p, 50p, PS mode (28Mbps)AVCHD (1920 x 1080) @59.94i/50i FX mode (24Mbps) FH mode(17Mbps)AVCHD (1920 x 1080) @29.97p/25p/23.98p, FX mode (24Mbps)AVCHD (1440 x 1080)@59.94i, 50i LP mode (5Mbps)AVCHD (1280 x 720)@59.94p, 50p, HQ mode (9Mbps)XAVC QFHD @LPCM 2ch 100 Mbps Approx. 65 min with 64 GB memory card XAVC QFHD @LPCM 2ch 60 Mbps Approx. 100 min with 64 GB memory card XAVC HD @LPCM 2ch 50 Mbps Approx. 120 min with 64 GB memory card XAVC HD @LPCM 2ch 35 Mbps Approx. 170 min with 64 GB memory card XAVC HD @LPCM 2ch 25 Mbps Approx. 220 min with 64 GB memory card MPEG HD422 (CBKZ-SLMP required) @LPCM 2ch 50 Mbps Approx. 110 min with 64 GB memory card MPEG HD420 (CBKZ-SLMP required) @LPCM 2ch HQ Mode Approx. 170 min with 64 GB memory card AVCHD @LPCM 2ch PS Mode Approx. 305 min with 64 GB memory card AVCHD @LPCM 2ch FX Mode Approx.Sony recently released an update to its Sony Catalyst Browse and Catalyst Prepare 2020.1 update. Catalyst Browse version 2020.1 is free of charge and allows you to browse and manage XAVC S and XAVC HS video clips shot with a Sony camera. Catalyst Prepare 2020.1 is not free, but it allows you to convert, copy, and prepare all your Sony footage before you start editing your footage. Sony Catalyst Browse is a free Windows/Mac software that lets you browse files from your Sony camera/deck/card reader. This tool allows you to view all your clips, edit metadata, and even apply a global color correction/LUTs to your footage. Once you’re done, you can select your clips and copy them to a local hard drive/NAS. However, I guess that one of the most used feature on Catalyst Browse is the image-stabilization feature. Indeed, the software can use Gyro data recorded by cameras such as the FX6/FX9, Sony a7S III, a7C, RX0 II, RX100 VII and ZV-1 to accurately stabilize your footage in post. The latest Sony Catalyst Browse 2020.1 version includes several changes, such as: Sony also worked on Catalyst Prepare 2020.1 update. If you’re new to Catalyst Prepare, it is basically a much more advanced version of Catalyst Browse. For a complete comparison list between Browse and Prepare, you can look at this chart. Catalyst Prepare 2020.1 includes numerous changes – including all the changes that were made to Catalyst Browse 2020.1 – but also additional features such as: Sony Catalyst Prepare 2020.1 is a free software update, but the software itself is not free. Indeed, it is a subscription-based software that retails for $14.95 per month or $149.95 annually. For more information, please visit Sony’s website here. What do you think about these 2020.1 software updates? Do you often use Catalyst Browse or Catalyst Prepare to work on your Sony footage? Don’t hesitate to let us know in the comments below! They kinda had to consider this camera is coming out way later than everyone expected them to release it. One feature that was overshadowed by the addition of 4K120, 10-bit internal, CFexpress Type A, and all the other goodies is the ability to record gyroscopic information to the footage. Well, filmmaker Sidney Diongzon is taking a look at how using the gyro information to stabilize footage in Catalyst Browse compares to the standard built-in in-body image stabilization and the Active IS mode. He also wants to figure out which you should use when. Just to make things clear, any type of in-body or electronic stabilization is going to lack in comparison to a true gimbal or another external stabilizing device. They are purpose-built for the job and offer a much wider range of motion. And, if you are okay with the crop, the Active mode is the best. Getting into the tests, Diongzon recorded a test using no stabilization at all, the standard stabilization, and then the active stabilization. Now, comparing that to the gyro-stabilized footage in Catalyst Browse, it is again quite clear that Catalyst does an amazing job. A quick explainer of the active mode is that the camera performs a slight 1.1x crop and then uses gyro information during recording to electronically stabilize the camera in addition to using the in-body system. There is one catch for using Catalyst Browse: you can’t use any stabilization in camera if you plan on using it. That means you are going to be taking a risk that it’ll look good in the end. There’s a good chance of that, but you won’t be able to check on set and know before you end for the day. One interesting tip is that if you do plan on stabilizing in post that you should ignore the 180-degree shutter rule and opt for a slightly faster shutter speed. Motion blur can impact the final quality of digitally stabilized footage and by bumping up to 1/80 or 1/100 for 24p shooting can help. Again, a gimbal will always be king, but it is good to know that the a7S III has multiple options for quick and dirty stabilization if you don’t have a gimbal on you. Of course, it's not the first Sony camera to have this.I have a clip that's on a ronin SC but theres some shake here and there from holding the camera low, and by shake I mean minuscule but enough for me to want it . hydrogen peroxide 50 % 0.35 % organic stabilizer 0.60 % caustic soda 100 ...5000 camera ( Model MV - 05000 ) and Sony Mavigraph UP - 500 printer .